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家/Film/横山良多:君はまだ25歳だ。何にでもなれる。
Film

横山良多:君はまだ25歳だ。何にでもなれる。

2026-06-28 3 分钟阅读
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“君はまだ25歳だ。何にでもなれる。”——《歩いても 歩いても》

中文译文:你才25岁,你可以成为任何你想成为的人。——《步履不停》

English translation:You’re only 25; you can become whatever you want to be.——《Never stopping》

横山良多(Ryota Yokoyama)

——日本映画(にえいが)

电影上映时间(Film release dates)2008年6月28日

在一个夏末,横山一家人因长子纯平的忌日而团聚。被纯平当年舍命救起的青年良雄,每年都会带着愧疚与礼物前来祭拜,却总是在离开后被横山母亲刻薄地评价为“没出息”。就在良雄深感自责、垂头丧气地离开时,作为家中次子的良多追上了他,用力地拍了拍他的背,说出了这句话。这并非简单的客套,更像是一个同样在人生中迷失方向的人,对另一个背负着沉重枷锁的灵魂所表达的安慰与鼓励。

One late summer, the Yokoyama family gathered to mark the anniversary of their eldest son, Junpei’s, death. Yoshio, the young man whom Junpei had once saved at the cost of his own life, came every year to pay his respects, bearing gifts and weighed down by a sense of guilt; yet, after he left, Mrs Yokoyama would invariably dismiss him as ‘good-for-nothing’ in her harsh remarks. Just as Ryōō was leaving, deeply remorseful and dejected, Ryōta, the family’s second son, caught up with him, gave him a firm pat on the back, and spoke these words. This was no mere formality; rather, it was an expression of comfort and encouragement from one who had likewise lost his way in life to another soul burdened by heavy chains.


这句话看似是一碗温暖的“心灵鸡汤”,但在是枝裕和冷静克制的镜头下,它更像是一声在平凡日常中无奈的叹息,包含着多层复杂而深刻的意义。

它是一份对“幸存者”的温柔救赎。良雄被大哥救起,却也因此背负着“替代”大哥活下去的重担。他被期待要活得精彩,却似乎总未能如愿。良多的这句话,是在告诉他:你的人生只属于你自己,不必被过去捆绑,更不必为了他人的期待而活。它剥离了良雄身上“被救者”的沉重标签,将其还原为一个拥有无限可能的25岁年轻人。

它是一次对“失意者”的深刻共情。说这话的良多,自己正处在人生的低谷——不愿继承父业,坚持的绘画修复师工作也惨遭失业。他对良雄说出这句话,何尝不是在对自己说?在这句鼓励背后,藏着一个中年人对青春不再的追悔,以及对年轻可能性的复杂羡慕。他用力拍打良雄后背的动作,既是对后者的激励,也是对自己无力改变现状的一种宣泄。

它是一场对“人生真相”的温和反讽。是枝裕和的高明之处在于,他从不提供简单的答案。良多嘴上说着“你可以成为任何人”,但电影却用大量篇幅展示了他自己如何在生活的惯性中“步履不停”地走向平庸。这句话因此带上了一层反讽的意味:我们总在鼓励年轻人追求梦想,但自己却往往在现实的洪流中身不由己。它像一面镜子,照见了理想与现实的永恒落差。

人生的可能性并不因年龄而自动生效,它需要行动来兑现。说出一句鼓励的话很容易,真正步履不停地走向那个“想成为的人”却很难。而当我们认清这份艰难后,依然选择在平凡的生活中保留那份“想要成为”的念想,或许才是这句话最真实的治愈力量。

On the surface, this line appears to be a bowl of heart-warming ‘inspirational advice’, but under Hirokazu Kore-eda’s calm and restrained cinematography, it feels more like a resigned sigh amidst ordinary daily life, imbued with layers of complex and profound meaning.

It is a gentle act of redemption for the ‘survivor’. Yoshio was saved by his elder brother, yet as a result, he bears the heavy burden of living on in his brother’s stead. He is expected to lead a remarkable life, yet he never quite seems to live up to those expectations. Ryōta’s words are telling him: your life belongs to you alone; you need not be bound by the past, nor do you need to live to fulfil the expectations of others. They strip away the heavy label of ‘the rescued one’ from Ryōhei, restoring him to a 25-year-old with boundless potential.

It is an act of profound empathy towards the ‘disappointed’. Ryōta, who utters these words, is himself at a low point in his life—unwilling to take over his father’s business, and having recently lost his job as a painting restorer, a career he was so committed to. When he spoke these words to Ryō, was he not, in a sense, speaking to himself? Behind this encouragement lies a middle-aged man’s regret over his lost youth, as well as a complex envy of the possibilities open to the young. The way he gave Ryō a firm pat on the back was both an encouragement to the latter and an outlet for his own frustration at being unable to change his current circumstances.

It is a gentle satire on the ‘truth of life’. Hirokazu Kore-eda’s genius lies in the fact that he never offers simple answers. Although Ryōta says, ‘You can become anyone’, the film devotes a great deal of screen time to showing how he himself, caught up in the inertia of daily life, ‘keeps moving’ towards mediocrity. This line thus takes on an ironic undertone: we are always encouraging young people to pursue their dreams, yet we ourselves are often swept along by the torrent of reality, unable to control our own course. It acts as a mirror, reflecting the eternal gap between ideals and reality.

Life’s possibilities do not materialise automatically with age; they require action to be realised. It is easy to utter a word of encouragement, but it is far harder to keep moving steadily towards becoming the ‘person you want to be’. And when we recognise this difficulty yet still choose to hold onto that aspiration to ‘become’ amidst our ordinary lives, perhaps that is where the truest healing power of this phrase lies.

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Japanese filmsRyota Yokoyama横山良多步履不停歩いても 歩いても
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